Sep. 28: French Film Series concludes: Avril et le monde truqué

The work of the great comic book artist Jacques Tardi is cleverly and beautifully carried to the big screen in April and the Extraordinary World (Avril et le monde truque), a surreal sci-fi period piece that reimagines mid-20th century Paris as a smog-filled, steam-powered Napoleonic empire whose future lies in the hands of an orphaned young woman, voiced by French star Marion Cotillard.

6pm – 8pm in the Library Events Area

Sep. 21: French Film series continues: Fatima

“This is my intifada,” [Fatima] says: her act of uprising. Raising her daughters is her rebellion against oppression.

 

“Fatima” is a modest but engrossing movie, clocking in at a slim 78 minutes, that explores what that sort of act of rebellion might look like for a woman like Fatima: a North African immigrant in her mid-forties, divorced, living in Lyon, in a community that doesn’t seem overly eager to assimilate her or women like her. As such, it combines several currents running through contemporary European cinema: the sticky matter of immigration and assimilation, the challenges faced by the working class, and the tricky matters women navigate when they’re members of both of those groups.

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Sep 20: French Film Series Continues: La noire de …

La noire de . . ., by the Senegalese filmmaker Ousmane Sembene, is the first feature-length film to come out of sub-Saharan Africa. Technically flawed, it is nevertheless a cultural and cinematographic achievement, and it marks an important date in the history of African cinema. Based on a short story of the same title, written by Sembene and published in Voltaïque (1961),La noire de . . .tells the story of a young African woman who goes to France to work for the French couple who have employed her in Dakar. Filled with joy at the prospect of the trip, she soon becomes disillusioned, and finally, feeling imprisoned and isolated from the support of her own community, kills herself.

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